For some time my artworks have been moving away from functional forms and have been created to explore the potential of the glass object. In reassessing expectations of vase, cylinder and vessel, I have been developing shapes that act as a raw canvas for the surface imagery. The large scale and dramatic forms of these works are intended to have a primitive quality that preserves the fluidity inherent in the glass medium.

I am inspired by the ceaseless mutability of light on the landscape, the sky and on water. I am fascinated by horizons, the vanishing point where the land merges with the sky. Glass is the ideal medium to express this idea of continual change since its properties are inherently mutable not only in its molten state but also in the way the play of light creates endless nuances in the finished piece.

I like the ambiguity of colour and contrast, the way in which, for example, a swathe of bright red in a landscape or sunset can be read as fire or flower by different viewers. In fact, even though I give each artwork a title that reflects my own perception and inspiration, observers may find themselves recalling moments in time within their own "imaginary landscapes."