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"Lidded
Pot 166"
Raku Ceramic Vessel
14" x 10" x 10" |
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![Bob Smith, Raku Ceramics - A featured artist at the Lanning Gallery [Sedona Arizona]](images/smithtitle.jpg) |
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"Silhouette and form, with a quiet contained presence, have always been my major concerns. My most current work reflects this on-going fascination with form plus an increased exploration of greater depth, subtlety and drama in the surface; with new directions in color, scale and texture. I continue to use the vessel as my point of departure, enjoying the historical connection. But more and more, it is what I do to the piece after it comes from the kiln that dominates my thinking." |
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"Why have I stayed with it for so long? Perhaps it
is because I have been changed, significantly and
irrevocably, by making clay art; because my head,
hands and heart have come together during this
active, long-term pursuit of my dreams; because I am
beginning to understand the complexities of my
medium; and because I work hard and with care and
sincerity to train my hands to do what they must;
and in this self-actualization, I have become
passionate." |
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"Lidded
Pot 167"
Raku Ceramic Vessel
10" x 6" x 6" |
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"Pot on
Tray 170"
Raku Ceramic Vessel
9" x 6" x 6" |
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"Pot on
Tray 173"
Raku Ceramic Vessel
8" x 7" x 7" |
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"Through some stroke of luck or good fortune, I have
found work which is satisfying, engaging,
challenging and comprehensive, and through which my
heart can sing." |
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Click on the images to see a larger view.
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"Cylinder Lidded
Pot"
Raku Ceramic Vessel
10" x 8" x 8" |
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"Small
Altered Vase"
Raku Ceramic Vessel
10" x 6" x 4" |
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The
Process of
Contemporary Raku
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"Extrusion with
Wings"
Raku Ceramic Vessel
19" x 5" x 4" |
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contemporary Raku, the work is made from a very porous
clay, first fired to remove all moisture (as with
stoneware, porcelain, etc.) before glaze is applied.
Thereafter, the process differs greatly from typical
stoneware firings. |
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| In Raku, glazed pots
are introduced into a kiln that is already at temperature,
around 1800 degrees F (considered low temperature). The glaze
bubbles and smoothes quickly – in 10 to 15 minutes, generally –
at which point the pot is removed with long tongs, still glowing
yellow, and put into a container filled with combustibles -
typically straw, leaves or newspaper. The heat of the pot
immediately ignites the material, and the vagaries of the smoke
and flame leave their unpredictable and unique marks and effects
on the pot. After a period of time – 10 seconds to 30 minutes –
the pot is removed from the container, and often quenched with
water to “freeze” the results. Losses due to thermal shock or to
unacceptable results may be high, but those pieces which survive
truly reflect the mysteries of the process. |
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Please inquire for current inventory.
Photos available upon request. |
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"Lidded Tall Pot"
Raku Ceramic Vessel
16" x 5" x 5" |
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"Slab Platter",
21" x 18" x 2"
"Lidded Pot 138", 18" x 15" x 15"
"Large Combined Vase", 29" x 13"
x 13" |
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"Lidded
Pot 169"
Raku Ceramic vessel
9" x 8" x 8" |
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Artist's prices beginning at
$395.
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Keep an Eye on this
Artist. For confidential artist updates -
click
here to register. |
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